A Live Performance Contract form is a standardized document that outlines the agreement between a musician or band and another party—often referred to as the hirer—for a live performance. It specifies details such as performance expectations, payment terms, and conditions for cancellation, ensuring clarity and mutual understanding between both parties. The form serves as a formal commitment, safeguarding the interests of both the artist(s) and the hirer.
In the realm of live performances, particularly those involving musicians, the details surrounding the engagement often necessitate careful documentation to ensure all parties understand their commitments, rights, and obligations. The Live Performance Contract form serves as a crucial tool in this process, outlining every essential aspect of the agreement between the artist or band and the hirer—be it an individual or a company. This comprehensive document covers various facets of the engagement, from the specifics of the performance, such as the act's name and the description of the performance, to logistical arrangements including venue, dates, travel, accommodation, and meals. Moreover, the contract specifies payment terms, including the deposit amount, final total, and conditions under cancellation circumstances. It also addresses technical and operational needs, like stage setup, power supply, merchandising rights, and provisions for delays or early finishes. The contract not only safeguards the interests of both the hirer and the artist but also lays down a framework for dispute resolution, indemnification, and legal jurisdiction, should any disagreements arise. With its basis in the laws of Western Australia, it encompasses additional clauses like insurance requirements, ensuring a safer and more predictable environment for live performances to thrive. Not only does this contract epitomize a binding agreement, but it also reinforces the professionalism and seriousness with which live performances should be approached, thereby providing a structured path for successful event execution.
STANDARD CONTRACT FOR LIVE PERFORMANCE BY MUSICIANS
HIRER (person or company name) _____________________________________________________________________________
Trading as (name of business and ABN) ___________________________________________________________________________________
of (address) ______________________________________________________________________(hm/wk phone) _____________________
(mobile) _________________________(email) _______________________________________________(fax)________________________
AND
ARTIST/BAND LEADER (name) __________________________________________________________________________________
Reference to Artist is also to Band Leader. If more than one person, the Band Leader acts as agent for personnel listed at Schedule A (reverse side) of (address) ______________________________________________________________________(hm/wk phone) _____________________
(mobile) _________________________(email) ______________________________________________(fax)_________________________
AGREEMENT TO ENGAGE ARTIST The Hirer agrees to engage the Artist on the terms of this agreement
1(a)
Appearing as
_______________________________________________________________________(name of Act/ Band)
1(b)
To Perform
__________________________________________________________________(description of performance)
1(c)
To provide the performance there will be ___________________(No. of) Musicians and Crew (”personnel”) listed at Sch. A
PERFORMANCE VENUE AND TIMES If a residency (more than 1 booked gig) then list dates at Schedule B (reverse side)
2(a)
At ____________________________________________________________________________(venue and full address)
2(b)
On _______________________ (date) or as set out in Sch. B for performance from __________(time) to _________(time)
or for a period of _________________________(less breaks)
TRAVEL: TRANSPORT, ACCOMMODATION AND MEALS Is included in Final Total unless one of the following options completed:
3(a)
The Hirer will pay a travel total of $ _________________ (incl GST) to cover all personnel travel, equipment transport,
personnel accommodation and meal costs, which will be arranged by the Artist. Travel total to be paid no later than 5pm
on __________________________(date)
3(b)
The Hirer will transport all equipment and provide travel, __________ night/s accommodation per person and _______
meals per person per day for personnel. Confirmation in writing of these arrangements and all tickets, accommodation and
meal vouchers to be provided by 5pm on ____________________(date)
CONFIRMATION OF PERFORMANCE
A booking is not confirmed by the Artist until in receipt of signed contract. The Hirer agrees to confirm performance by returned signed copy of the contract (via mail or fax) at least 7 days before the performance date.
CANCELLATION OF PERFORMANCE
The performance may only be cancelled by written notice received by the other party, no less than 7 days 14 days 21 days or 28 days before the performance date/s at clause 2(b). (Circle appropriate choice).
Deposit and any incurred travel costs are not refundable in the event of cancellation. If any performance is cancelled without proper written notice; if no cancellation period is specified above; or the performance is confirmed within the cancellation period specified: the performance stands as confirmed and the full Final Total payable immediately by the Hirer in the event of a cancellation. (The Artist may cancel at any time if unable to perform due to sickness, injury, transport problems, weather conditions or anything beyond their control, and is not liable to repay any amounts paid by the Hirer prior to the Artist cancelling).
PAYMENT
Final Total: $________________________________(per performance) (for no. of performances and dates see reverse side)
Deposit of $ __________________to be paid by 5pm on ______________(date) and otherwise as set out in the payment clause
AND/OR Percentage of gross door takings of_____________% to be paid as specified in the payment clause
SIGNED ____________________________________(Hirer) ___________________________________
/
/ 20
by or on behalf of
PRINT NAME
SIGNATURE
DATE
(The signatory of the Hirer warrants that they have authority to enter this agreement on behalf of the Hirer)
SIGNED ____________________________________ (Artist) __________________________________
The Engagement: The Artist and personnel will follow all reasonable instructions relating to the proper and lawful conduct of the Hirer’s business. All instructions will be conveyed through the Band Leader to the personnel.
Payment: Unless agreed otherwise (set out in Special Conditions below) payment of the full balance of the Final Total is to be made to the Artist within 15 minutes of the conclusion of the first performance. In the case of a percentage of door takings, then payment is to be within 30 minutes of the conclusion of each performance.
Set Up and Load Out: The Hirer will provide the Artist and personnel with reasonable access to the venue before the performance to load in, set up, do sound checks and load out after the performance. The Hirer will provide secure on site parking for the Artist and personnel.
Staging: The Hirer will provide safe working conditions and ensure all equipment and facilities are in good working order. The Hirer will be in compliance with all statutory requirements (including adequate staging with protection from sun and bad weather) and will obtain all permits, consents and licenses necessary for the performance.
Power supply: The Hirer will provide safe and adequate power supplies operated by competent persons in accordance with all statutory requirements. If any of the Artist’s or the personnel’s instruments or equipment is damaged by malfunction or improper operation of the power supply the Hirer will reimburse any cost incurred to repair or replace the instruments or equipment.
Merchandise: The Artist will have the right to display and sell merchandise during the performance and at least 30 minutes prior to and after the performance, from a mutually agreed position without any payment to the Hirer.
Delay, Interruptions & Finish: If a performance is delayed, interrupted or finishes early as a consequence of any act or omission of the Hirer or due to weather conditions, then the Hirer will still pay the full Final Total. The Artist is not obliged to continue past set finishing time unless they agree.
Artistic Control: The band will have control of the artistic content of the performance and the people comprising the band. The Artist may substitute a competent replacement for any member of the band or personnel who is unable to perform the engagement. The substitution will have the effect of amending Schedule A to reflect any substitution.
Australian Business Number (ABN): Where the Hirer requires the Artist to furnish an ABN in respect of payment, it shall only be for the purpose of the taxation laws. This Agreement is not a Tax Invoice. Note any GST component may not be payable in the event of cancellation.
Insurance: The Hirer will provide and maintain the following policies with a reputable onshore insurer:
(a)Public liability insurance (min $10 million) including coverage endorsements for personal injury and property damage
(b)workers compensation insurance
(c)property insurance for the replacement value of any equipment
Indemnity: The Hirer indemnifies the Artist and personnel against all claims, including costs legal and otherwise, by the Hirer and the Hirer’s employees, agents, contractors, patrons, licensees or any other who as a result of the performance/s or cancellation of performance/s suffers any loss or damage of whatsoever nature.
Dispute Resolution: The parties agree that the courts of the State of Western Australia (WA) have exclusive jurisdiction to determine disputes in relation to this agreement. No party will institute legal proceedings unless reasonable steps are first taken to settle any dispute by negotiation. Each party is liable for its own costs in the event of a dispute, except that where the Artist is successful in pursuing or defending a dispute then the Hirer will pay the Artists’ costs on an indemnity basis.
Notices: All notices to be effective will be in writing and sent to the addresses noted on the front page for Hirer and for Artist.
Law: The validity, construction and performance of this Agreement will be governed exclusively by the laws of the State of WA.
Catering/Rider request: Hirer is to provide the Artist with water, clean towels if required and …..………………………………………….
………………………………………………………………………………………………………………………………………………………….
Special Conditions: ……………………………………………………………………………………….........................................................
.…………………………………………………………………………………………………………………………………………………………
SCHEDULE A – Personnel comprising the band (and crew if required)
1.
4.
7.
2.
3.
5.
6.
8.
9.
SCHEDULE B – Dates of performance
10.
11.
12.
©Media, Entertainment and Arts Alliance (WA branch). Disclaimer: The Alliance will not accept responsibility or liability for the use of this form and parties using it should obtain independent advice where they see fit.
THIS PAGE TO BE INCLUDED WHEN HIRER IS A COMPANY OR AN ASSOCIATION
SCHEDULE C – GUARANTEE AND INDEMNITY
Unconditional Guarantee and Indemnity:
In consideration of the Artist, at the request of the Guarantor, entering into this agreement, the Guarantor:
unconditionally and irrevocably GUARANTEES to the Artist:
the due and punctual payment to the Artist and personnel of all amounts payable and all other moneys which may become due and payable to the Artist or personnel by the Hirer directly or indirectly pursuant to the terms of this agreement and any variation to this agreement; and
the due observance and performance of the Hirers obligations; and
as separate and independent stipulations:
unconditionally and irrevocably INDEMNIFIES the Artist and personnel and agrees to keep the Artist and personnel indemnified from and against all loss damage costs and expenses suffered or incurred by the Artist or personnel arising from or in connection with any breach or non-performance by the Hirer of the Hirers obligations or as a consequence of a disclaimer of this agreement by a liquidator or trustee of the hirer; and
as principal debtor agrees to pay to the Artist or personnel all monies payable by the Hirer under this agreement.
SIGNED by ....………………………………………… (Guarantor) ………………………………….. …. … ..
DATED
©Media, Entertainment and Arts Alliance (WA branch). Disclaimer: The Alliance will not accept responsibility or liability for the use of this form and parties who chose to use it should obtain independent advice where they see fit.
Navigating the intricacies of a live performance contract may seem like a daunting task, but it's a crucial element in establishing a formal agreement between an artist and a hirer. This document outlines the rights and obligations of both parties, ensuring there's no ambiguity about the performance details, payment agreements, and other provisions. The steps provided below offer a guide to filling out the form methodically, ensuring all the necessary details are captured accurately.
Completing these steps with attentiveness ensures that both the artist and the hirer have a clear, mutual understanding of the performance expectations and legal obligations. This contract serves not only as a binding agreement but also as a comprehensive reference that can help avoid disputes and misunderstandings, paving the way for a successful event.
What is included in the Final Total for a Live Performance Contract?
The Final Total in a Live Performance Contract includes all agreed compensation for the artist's performance. This may cover the number of performances, any agreed-upon percentage of gross door takings, and can also include travel costs, accommodation, and meals if not outlined separately in the contract. The specific details should be carefully reviewed in the contract to understand what is encompassed within this total.
How is travel, accommodation, and meal expenses handled in the agreement?
Travel, accommodation, and meal expenses for the artist and crew can be managed in two primary ways under this agreement. The hirer may opt to pay a predetermined total to cover all such expenses, which the artist will then manage, or the hirer may directly arrange and provide for the transportation of equipment, accommodation, and meals for the artist and crew. The agreement must specify the chosen option and the related financial and logistical details, including payment timelines and the provision of confirmations or vouchers.
What happens if the Live Performance is cancelled?
For cancellations, the contract specifies that written notice must be provided within a set period ahead of the performance date, with options for 7, 14, 21, or 28 days. The chosen period must be circled in the contract. A deposit and any travel costs already incurred by the artist are not refundable upon cancellation. If a cancellation occurs without the requisite notice or within the confirmed booking period, the hirer is obligated to pay the full Final Total immediately. Exceptions are made for cancellations by the artist due to circumstances beyond their control, such as sickness or weather conditions, where the artist is not liable to refund any amounts paid by the hirer prior to cancellation.
How is payment for the performance handled according to the contract?
Unless otherwise specified with special conditions, payment of the Final Total to the artist is due within 15 minutes of the conclusion of the first performance. If the agreement includes a percentage of door takings, then this payment must be made within 30 minutes of the end of each performance. These terms emphasize the importance of timely compensation following the agreement's stipulations.
What are the responsibilities of the hirer regarding the performance venue and conditions?
The hirer is responsible for providing a safe and adequately equipped venue for the performance. This includes ensuring all equipment and facilities are in good working order, compliance with statutory requirements, and obtaining necessary permits, consents, and licenses. Furthermore, the hirer must provide secure parking, safe and adequate power supplies, and comply with any agreed-upon staging, sound, and lighting requirements. Any damage to the artist's or crew’s equipment due to venue-related issues must be reimbursed by the hirer. Additionally, the hirer is required to maintain specific insurance policies, as outlined in the contract.
One of the common mistakes people make when filling out the Live Performance Contract form involves incorrectly entering or overlooking the complete details of the Hirer and Artist/Band Leader, including names, addresses, and contact information. It's essential to provide accurate and full details to ensure clear communication and avoid any confusion regarding contractual obligations.
Another frequent error is failing to detail the specifics of the performance in section 1(b), such as the type of performance and the number of musicians and crew members involved, as listed in Schedule A. Clearly outlining these details ensures both parties have the same expectations about the performance scope and scale.
Inaccuracies in listing the performance venue and times can also lead to logistical problems. It is crucial to specify the exact location and times, including any residency schedules in Schedule B, to avoid scheduling conflicts and ensure the venue is prepared for the performance requirements.
Regarding the travel, accommodation, and meals arrangements specified in section 3, a common mistake is not defining these terms clearly or misunderstanding the options provided. It's important for the hirer and artist to agree on who is responsible for these arrangements and ensure they are documented accurately to prevent any disputes or misunderstandings.
A lack of clarity or misunderstanding about the confirmation and cancellation policies can lead to significant issues. The parties must be fully aware of the confirmation process and the stipulated cancellation notice period to avoid penalties or the loss of deposits. Properly documenting these agreements within the contract minimizes the risk of last-minute cancellations without proper notice.
Incorrect or unclear payment details, including the final total, deposit amount, or percentage of door takings, can create disputes. Ensuring these financial terms are explicitly agreed upon and documented in the contract helps maintain a smooth transaction and relationship between the hirer and artist.
Failure to specify or understand the technical and logistical needs for the performance, such as staging, power supply, and merchandise sales, can lead to problems during the event. Both parties should thoroughly discuss and agree on these arrangements beforehand to ensure the performance goes as planned.
Finally, neglecting to include or adequately fill out the Special Conditions, Schedule A (Personnel), and Schedule B (Dates of Performance) can lead to ambiguity and operational issues. These sections offer an opportunity to tailor the contract to specific needs and expectations, ensuring both parties are fully prepared for the event.
When engaging in live performances, a Live Performance Contract form is a pivotal document that outlines the terms of engagement between the artist and the hirer. However, to ensure a smooth and legally secure transaction, several other forms and documents are often used alongside this contract. These supplementary documents provide additional legal protections, clarify expectations, and help manage the logistical and financial aspects of live performances.
Together with the Live Performance Contract form, these documents form a comprehensive framework that addresses the majority of issues that may arise before, during, and after a live performance. They not only protect the legal and financial interests of both the artist and the hirer but also ensure that logistical and technical requirements are clearly defined and agreed upon in advance. This minimizes the likelihood of disputes and promotes a professional and smooth collaboration between all parties involved.
The Artist Services Agreement is a key document that closely resembles the Live Performance Contract. It outlines the terms under which an artist provides their creative services, which can range from performances to visual arts projects, for a client or hirer. Like the Live Performance Contract, it specifies details such as payment, performance expectations, cancellation policies, and legal rights, ensuring both parties understand their obligations and are protected in the event of disputes. The Artist Services Agreement, however, might encompass a broader scope of services beyond live performances.
An Event Management Contract shares similarities with the Live Performance Contract by defining the relationship between an event organizer (hirer) and a service provider, which could be a musician, band, or another performer. This contract typically covers aspects such as the scope of the event, roles and responsibilities of each party, financial terms including payment schedules, cancellation terms, and liabilities. Both documents serve to ensure a clear understanding between parties involved in the planning and execution of an event, ensuring smooth operational flow and minimizing the risk of misunderstandings.
Entertainment Booking Agreement is another document similar to the Live Performance Contract in that it formalizes the arrangement between an entertainer or performance group and a hiring party for a specific booking. The agreement outlines performance details, fees, travel and accommodation arrangements, technical requirements, and cancellation policies. This ensures both the performer's and the hiring party's interests are protected, and all parties are clear about the expectations for the event.
A Performance Rider often accompanies the Live Performance Contract, detailing specific requirements or provisions not covered in the main contract. These can include technical specs, stage setup, meals, accommodations, and transportation. The rider is integral to the overall agreement between the artist and hirer, ensuring the artist's needs are met for a successful performance. While it is more detailed and specific, it functions in tandem with the Live Performance Contract to cover all aspects of the performance arrangement.
The Venue Rental Agreement is similar to a Live Performance Contract when it comes to leasing space for the performance. This document outlines terms and conditions related to the use of the venue, including rental fees, duration of rental, setup and teardown times, insurance requirements, and any venue-specific rules. Both agreements play crucial roles in event planning, ensuring that the venue and performance aspects are clearly defined and agreed upon.
A Talent Agency Agreement, like the Live Performance Contract, is used in the entertainment industry to outline the relationship between an artist and an agent or agency that will represent the artist. This contract covers the scope of representation, the agent's duties, compensation, and contract duration. While the Talent Agency Agreement focuses on the artist-agent relationship and the Live Performance Contract focuses on the artist-hirer relationship, both are essential for defining professional relationships and terms within the entertainment industry.
The Merchandising Agreement shares similarities with the Live Performance Contract by governing the rights to sell merchandise linked to the artist or performance at the event venue. While the Live Performance Contract focuses on the performance aspects, the Merchandising Agreement covers terms related to the production, sale, and revenue sharing of merchandise. Both agreements work together to ensure comprehensive coverage of different aspects of a performance event, including how an artist's brand and merchandise are managed and profit shared.
When filling out the Live Performance Contract, it’s important to pay close attention to details to ensure a smooth working relationship between the hirer and the artist. Here’s a list of things to do and avoid:
Following these dos and don'ts can help prevent common mistakes and ensure that the live performance agreement serves as a clear, mutually beneficial arrangement between the hirer and the artist.
When it comes to live performance contracts, misconceptions can muddy the waters for both artists and hirers. It's important to clear these up to ensure smooth, fair agreements are made and upheld. Here are ten common misconceptions about live performance contract forms:
Only big-name artists need contracts. This couldn't be further from the truth. Whether you're playing at a local bar or a large festival, a contract clarifies expectations and protects all parties involved, regardless of their stature in the music industry.
Verbal agreements are just as binding. While verbal agreements can be enforceable, proving the terms without a written record is challenging. A contract ensures clarity and provides a tangible reference point for obligations.
Contracts are too rigid and can't be changed. Contracts can often be negotiated before signing. If both parties agree, terms can be adjusted to suit the unique needs of a particular engagement.
Contracts are only about payment. Though payment terms are crucial, contracts cover various aspects, including performance expectations, setup requirements, cancellation policies, and liability issues, to ensure a well-rounded agreement.
Reading the entire contract isn't necessary. Every clause in a contract can have significant implications. Understanding each part before signing can prevent misunderstandings and disagreements down the line.
Contracts favor the hirer. A well-drafted contract should balance the needs and protect the interests of both the artist and the hirer. It's about finding fair ground, not gaining the upper hand.
A standard contract covers everything. While standard contracts provide a solid foundation, every live performance has unique elements that may require additional clauses or modifications to ensure all specifics are addressed.
If something isn't in the contract, it's not enforceable. While the contract governs the engagement, verbal agreements made thereafter can also be binding. However, including all agreements in the contract is best for clarity and enforcement.
Electronic signatures aren't valid. Electronic signatures are generally as legally binding as traditional handwritten signatures, making digital contracts convenient and enforceable.
You don't need a lawyer to review a live performance contract. While not always necessary, consulting with a lawyer can be beneficial, especially for complex agreements or when significant assets are at stake. They can help clarify terms and ensure your best interests are represented.
Understanding the truths behind these misconceptions is key to establishing contracts that serve the interests of both artists and hirers, ensuring positive and productive working relationships.
When using the Live Performance Contract form, it’s essential to be aware of its comprehensive nature, which is designed to provide a clear framework for the engagement of musicians by a hirer. Here are eight key takeaways to ensure both parties are well-informed and legally covered:
Overall, the Live Performance Contract form is designed to safeguard the interests of both the artist and the hirer, making it a crucial document for formalizing the engagement of live performance services. By adhering to its provisions, both parties can ensure a legally sound, mutually beneficial arrangement.
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